“The overall work is reminiscent of the narrative films of Jonas Mekas, such as As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty. The ambiance may evoke films like Wojtek Staroń’s Siberian Lesson, where the camera becomes “a tool for discoveries”. There are no rules of continuity for sound, much like the non-linear visual structure of the film’s editing. This method employs the same cinematic language as Andrei Tarkovsky’s Mirror, which “unfolds like an organic flow of memories.’ It incorporates camera sounds, ‘seeking concentration and clarity”, as the backbone of the film.”
Mela Hilleard.