Beata Migas
Serbia
Details
Beata Migas is a director, producer, and screenwriter, as well as the founder and CEO of Haddock Entertainment. Trained in Film Directing at the Film School in Belgrade, she also holds a degree in Ecological Sources of Energy (AGH University of Science and Technology, Kraków) and is a graduate of the European Academy of Diplomacy in Warsaw. Since 2017, she has been developing fiction and documentary projects within European cinema, focusing on underrepresented communities and contemporary environmental issues. Her debut feature, UFO: They Are Already Here (2021), a journalistic film about ufological phenomena, achieved significant success. She has also directed other films, including At Present (2023), presented at the EFM of the 74th Berlinale, and the drama Fish Swim Alive Underwater (2024), premiered at the 11th Finno-Ugric Film Festival in Tartu.
Her debut feature, UFO: They Are Already Here (2021), a journalistic film about ufological phenomena, achieved significant success. She has also directed other films, including At Present (2023), presented at the EFM of the 74thBerlinale, and the drama Fish Swim Alive Underwater (2024), premiered at the 11thFinno-Ugric Film Festival in Tartu.
Filmography (1)
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2025 – Rejoué (Restaged) Role : Director, Screenwriter, ProducerSynopsis : At the Russian-Estonian border, Silja, a Seto woman, rediscovers her indigenous identity and begins to question her true gender role within her community after the visit of Thierry, a popular French vlogger. Their unexpected proximity, accompanied by the traditional Seto leelo singing, sparks a confrontation between the outsider’s gaze and Silja’s inner journey of self-discovery.
Synopsis : At the Russian-Estonian border, Silja, a Seto woman, rediscovers her indigenous identity and begins to question her true gender role within her community after the visit of Thierry, a popular French vlogger. Their unexpected proximity, accompanied by the traditional Seto leelo singing, sparks a confrontation between the outsider’s gaze and Silja’s inner journey of self-discovery.
Citations (1)
« The clash between Thierry and Silja highlights broader tensions between cultural preservation and staging. »
Beata Migas
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