Falling Leaves / გიორგობისთვე

by Otar Iosseliani

(Fiction, USSR/Georgia, 1966, 100’, BW, Fr ST)

with Ramaz Guiorgobiani, Marina Kartsivadze, Gogui Kharabadze

Falling Leaves

Niko and Otar, two young graduates of the Institute of Oenology in Tbilisi, are hired by a wine coop. First loves accompany their discovery of professional life: Niko woos Marina, the prettiest girl in the factory. One day, they learn that to comply with the five-year plan management is marketing poor quality wine.

FIPRESCI Prize at the Cannes Film Festival 1968 Georges Sadoul Award for Best First Film 1968


“It’s delightfully humorous, a nonchalant chronicle of life in Georgia whose people think”, says the director, “that this is the country that God reserved for himself when he created the world.” Marcel Martin, Le cinéma soviétique de Khrouchtchev à Gorbatchev, ed. L’Âge d’Homme, p.78.

“The more I tried to accumulate the results of my work like the bricks of a building under construction or the elaboration of a work, the more I was rejected by people with a sense of reality.” Otar Iosseliani quoted in Marcel Martin, Le cinéma soviétique de Khrouchtchev à Gorbatchev, ed. The Age of Man, p.78.

“All my films are silent. I even have the impression that in some of them people talk too much, even though there are no more than 30 lines in two hours. What is said in a film does not matter, only intonation counts.” Otar Iosseliani

Otar Iosseliani
Otar Iosseliani

Born in 1934 in Tbilisi, Georgia, Otar Iosseliani studied music brilliantly before starting scientific studies in Moscow, which he abandoned to join the National Institute of Cinematography in Moscow. His first short films Aquarelle (1958) and April (1961) were blacklisted in the USSR. His first feature-length film, Falling Leaves (1966), traces the daily life of a peasant community in a very impressionist style. His art of contemplative distance, similar to Jacques Tati’s, his acknowledged master, asserted itself with Once Upon A Time There Was A Singing Blackbird (1971) and Pastorale (1976). His work totters between fiction and documentary. His attraction to purely visual language brought him closer to the authors of the Nouvelle Vague Française: François Truffaut, Claude Chabrol, Jean-Luc Godard. Despite their creator’s international reputation, these films were banned from export for many years. Based in France since 1982, Iosseliani directed his first French film Favorites of the Moon in 1984, which won the Special Jury Prize at the Venice Mostra. He then shot And Then There Was Light (1989), Chasing Butterflies (1991), Brigands, Chapter VII (1995), Monday Morning (2001) – Silver Bear for Best Director at the Berlin International Film Festival, Gardens in Autumn (2005). Outside his country, Otar Iosseliani manages to keep the humanist vision nuanced with humor and irony that made the success of his Georgian films. His latest film Chantrapas (2009) is an ode to freedom. It follows the story of a young director (alter ego of the author) who makes no compromise with censorship, whether ideological or economic, in the name of freedom of creative thought. He has also directed several documentaries for television: Euskadi (1982), A Little Monastery in Tuscany (1988) and Georgia, Alone, a documentary triptych of more than four hours about his country of origin. www.cineressources.net

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